The photo shoot was over, the crew was getting ready to put the 1225 back into the house, but Pete Lerro had not yet turned the lights out. In a way I like this shot because of its imperfections, like not quite enough light on the drivers and the crew is just standing around talking, ignoring the camera. Cold, snow, mud, water puddles, drifting steam, the dark of night....kinda like maybe the way it really was in the bad old days. Even the digital noise in the dark areas is kinda like the grain of Tri-X film we might have been shooting back then.
